The visual language of the album grounds the spiritual core of the record in Cuba—not Cuba, as envisioned by the foreign gaze or in diaspora, but Cuba, the island and its water, where movement is intrinsic to its border.
—
Stefanie Fernández,
Pitchfork,
3 July 2026
Flip your gaze upward, and the second bed is right there, nestled up against the headliner.
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—
Yuliana Montiel,
Charlotte Observer,
29 May 2026
Played by a Colman Domingo who is done up to look the most wax figurine of them all in a shellacking of makeup, prosthetics, and colored contacts, Joe is always either giving an avaricious open-mouthed leer or a cold-eyed glare.
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