Disgruntled colonists in taverns and town squares borrowed British melodies to support new lyrics expressive of a developing national consciousness.
—
Ted Olson,
The Conversation,
2 July 2026
Even more than usual, critics and Dylanologists scrutinized Modern Times for references and allusions, finding words and melodies paraphrased from the works of Muddy Waters, Bing Crosby, and the Roman poet Ovid.
McGill’s superbly nuanced calls, runs, and trills elicited commentary from a second audience, perched in the trees above—a colloquium of finches, towhees, titmice, kingbirds, juncos, and Eurasian collared doves.
—
Alex Ross,
New Yorker,
29 June 2026
Musselwhite punctuated the music with his harmonica trills and moans while his right knee bounced in time with the rhythms.
The work features four vocal soloists who represent Native American, Sephardic, African American and Protestant religious traditions, along with instrumental music based on early American hymn tunes.
—
Mark Swed,
Los Angeles Times,
2 July 2026
Transplants from the British Isles In 1776, as the nation’s founding generation proclaimed democratic ideals, music in the emerging United States consisted largely of British ballads, fiddle tunes, sea chanteys and hymns.
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